‘The sentinel and the species’

Catalog essay for Kobie Nel, Apple Puma

Bergen Contemporary Art Project

Bergen Kjøtt, Bergen, Norway, May 2018

‘Steady, and Urgent’

Catalog essay for Janenne Eaton, The Yellow Brick Wall

The Back Room at Kim’s Corner Food, Chicago, Mar–Apr 2018

‘Honk If You’ve Ever Used The Word Problematize’

A conversation between Dan Miller and Davi Lakind

Trunk Show Catalog, Chicago, 2018

At Work with Thomas Kong

By Dan Miller, with illustrations by Ruby T

5 1/2″ x 8 1/2″, 44 pages, full color digital, three color RISO, with tipped in business cards by Thomas Kong and Dan Miller, and stickers hand-applied by Thomas Kong

Half Letter Press, Chicago, IL & Auburn, IN, 2017 (out of print)

‘The Poorest Instruments’

Catalog essay for HERE&NOW17: New Photography

Curated by Chelsea Hopper

Lawrence Wilson Art Gallery, Perth, Australia, Apr–Jul 2017

Untitled catalog

6 5/8 x 6 5/8″, 12 pages, single color RISO

for Earn like a dog, spend like a king

in Lake Cream

Block Museum of Art, Evanston, IL, May–Jun 2016

 

‘Deadly Serious’

Previously unpublished

Chicago, 2016

Untitled artist book

8.5 x 11″, 12 pages, single color RISO. Edition of 60

for Thomas Kong, TCB

TCB Art Inc., Melbourne, Aug 2016

Organized by Dan Miller

Inside the panorama

Printed email

Text work for Foot-notes (ПРИМЕЧАНИЯ)

A project by 3-ply

The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015

About our stack of printed paper

Printed email

Text work for Terrorists in the Library

Curated by Ruslana Lichtzier

Pedestrian Project, Chicago, Sep-Nov 2015

‘Excerpts from an interview with Thomas Kong’

Published in BE HAPPY

By Steven Husby with Thomas Kong

Margin Creep, Chicago, Jan 2016

Untitled text

To accompany Tim Woodward, The Sun’s Been Up For Hours

BLINDSIDE, Melbourne, Dec 2014–Jan 2015

‘The Quality of an Omen’

Chicago Artist Writers, Chicago, 2014

‘Homeland Grunge’

Dissect, Issue 1, Melbourne, 2013

Concrete Flux, Issue 1, Beijing, 2013

‘Minor Ruptures’

Catalog essay for Jessie Scott, Death Watch

Screen Space, Melbourne, Oct–Nov 2012