Dan Miller ImagesTextsInfo
"The sentinel and the species", 2018
Catalogue essay for Kobie Nel's Apple Puma
Bergen Contemporary Art Project
Bergen Kjøtt, Bergen, Norway
"Steady, and Urgent", 2018
Catalogue essay for Janenne Eaton's The Yellow Brick Road
The Back Room at Kim's Corner Food, Chicago
"Honk If You’ve Ever Used The Word Problematize", 2017
A conversation between Dan Miller and Davi Lakind
Trunk Show Catalogue
At Work with Thomas Kong, 2017
By Dan Miller, with illustrations by Ruby T
5 1/2" x 8 1/2", 44 pages, full color digital, three color RISO, with tipped in business cards by Thomas Kong and Dan Miller, and stickers hand-applied by Thomas Kong
Published by Half Letter Press, Chicago, IL & Auburn, IN

Order on the Half Letter Press webstore
‘The Poorest Instruments’, 2017
Catalogue essay for HERE&NOW17: New Photography. Curated by Chelsea Hopper
Lawrence Wilson Art Gallery, Perth, Australia
‘Deadly Serious’, 2016
h/t Herluf Bidstrup
Untitled text, 2015
To accompany Tim Woodward's The Sun's Been Up For Hours
BLINDSIDE, Melbourne
‘The Quality of an Omen’, 2014
On the prophetic potential of art and non-art objects
Chicago Artist Writers (Chicago)
‘Homeland Grunge’, 2013
Fictional review of Wu Mingshi's Coils, Jingwang Homeland, Beijing, China
Dissect (Melbourne), Issue 1
Concrete Flux (Beijing), Issue 1
‘Minor Ruptures’, 2012
Catalogue essay for Jessie Scott's Death Watch
Screen Space, Melbourne