Dan Miller ImagesTextsInfo
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018. Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018. Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018. Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Performance view, Roots & Culture, Chicago, IL, April 2018. Audience-performers pictured: Philip Fang and Jan Brugger. Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Performance view, Roots & Culture, Chicago, IL, April 2018. Audience-performer pictured: Max Guy. Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Performance view, Roots & Culture, Chicago, IL, April 2018. Audience-performer pictured: Mary Eleanor Wallace. Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Performance view, Roots & Culture, Chicago, IL, April 2018. Audience-performer pictured: David Langkamp. Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018.
Performance view, Roots & Culture, Chicago, IL, April 2018. Audience-performers pictured: Jan Brugger and Fran Lightbound. Photo by Meg Noe
2013–2018, 2017 (detail). Authenticated bricks.
Installation view, Outside Jokes, DEMO Project, Springfield, IL, December 2017. Curated by Jesse Malmed
2013–2018, 2017. Authenticated bricks.
Installation view, Outside Jokes, DEMO Project, Springfield, IL, December 2017. Curated by Jesse Malmed
2013–2018, 2017. Authenticated bricks.
Installation view, Outside Jokes, DEMO Project, Springfield, IL, December 2017. Curated by Jesse Malmed
Checking all the can lights bulbs to see if they work, there are a lot of them, 2017
DEMO Project, Springfield, IL, July 2017
Photo by Brytton Bjorngaard
If you need a name for this piece the paint color is called Peppercorn, 2017
The Luminary, St. Louis, MO, April 2017
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Left: untitled artist book by Dan Miller, risograph on paper, 12 pages, 8.5 x 11 inches. Edition of 60
Right: room sheet/checklist, laser print on copy paper, 8.5 x 11 inches
Photo by Christo Crocker

Download artist book PDF here
Download room sheet PDF here
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Left: Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 370 x 578 mm
Right: Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 369 x 578 mm
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Left (facing Chicago): Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 508 x 638 mm
Right (facing Chicago): Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 504 x 580 mm
Photo by Christo Crocker
Installation view, PDF-OBJECTS, Mana Contemporary Chicago, June–October 2016. Organized by Jason Lazarus and Sean Ward
Top left: Dan Miller
Also shown, at bottom: Max Guy

Download PDF-OBJECT here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016

Download catalog PDF here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016
Also shown: work by Max Guy, Erin Hayden, David Sprecher and Lilli Carré

Download catalog PDF here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016
Also shown: work by Max Guy and David Sprecher

Download catalog PDF here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016

Download catalog PDF here
Earn like a dog, spend like a king, 2016 (detail). Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016
Leaf by Max Guy

Download catalog PDF here
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016. Laser print on copy paper, 8.5 x 11 inches
For Western Pole, Chicago, April 2016. Curated by Jesse Malmed
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016. Laser print on copy paper, 8.5 x 11 inches
For Western Pole, Chicago, April 2016. Curated by Jesse Malmed
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, March–May 2016. Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez, and Emiliano Settecasi

View full documentation here
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, March–May 2016. Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez, and Emiliano Settecasi

View full documentation here
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, March–May 2016. Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez, and Emiliano Settecasi

View full documentation here
The Back Room at Kim's Corner Food, 2015–
Exhibition space and archive, Rogers Park, Chicago. Coordinated by Dan Miller

More information and ongoing documentation here
The Back Room at Kim's Corner Food, 2015–
Exhibition space and archive, Rogers Park, Chicago. Coordinated by Dan Miller

More information and ongoing documentation here
The Back Room at Kim's Corner Food, 2015–
Exhibition space and archive, Rogers Park, Chicago. Coordinated by Dan Miller

More information and ongoing documentation here
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper (placeholder for a samizdat), 2015. Printed email

Download PDF here
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper (placeholder for a samizdat), 2015. Printed email

Download PDF here
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
Inside the panorama, 2015. Printed email
Also shown: sculptures by Liang Luscombe

Download PDF here
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
Inside the panorama, 2015. Printed email

Download PDF here
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
After the Victory (2015), 2015. Audio file, 34' 20" (looped)
Also shown: sculpture by Liang Luscombe, painting by Liang Luscombe and Lisa Radford
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On Terms On Which We All Agree, 2015. Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On Terms On Which We All Agree, 2015. Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Steve Miller Reads Who Moved My Cheese?, 2013. Voice recording on microcassette, 46′25″, looped. Microcassette recorder on modified office desk, 74 x 25 x 25 cm
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2 (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Your Office Is Ready, 2014. 600 x 1200 mm suspended ceiling grid, mineral fibre acoustic ceiling tiles, fluorescent light troffers, dimensions variable (detail)