Drying Out, 2019

You Walk Into: An exhibition of street jokes and long phases at the legendary Rainbo Club, Chicago, IL. Curated by Jesse Malmed

Drying Out, 2019
Immature fruits of Luffa acutangula
Installation view, You Walk Into, Rainbo Club, Nov 2019
Also shown, at right: Jen Delos Reyes
Drying Out, 2019
Immature fruits of Luffa acutangula
Installation view, You Walk Into, Rainbo Club, Nov 2019
Also shown, at right: Jen Delos Reyes
Drying Out, 2019
Immature fruits of Luffa acutangula
Installation view, You Walk Into, Rainbo Club, Nov 2019
Drying Out, 2019
Immature fruits of Luffa acutangula
Installation view, You Walk Into, Rainbo Club, Nov 2019

Be Happy (with Thomas Kong), 2015–19

Coco Hunday Presents, Atlanta Contemporary, Atlanta, GA. Curated by Jason Lazarus

Installation view, Coco Hunday Presents, Atlanta Contemporary, Aug–Dec 2019
Photo by Kasey Medlin
Installation view, Coco Hunday Presents, Atlanta Contemporary, Aug–Dec 2019
Photo by Kasey Medlin
Thomas Kong/Dan Miller, Be Happy, 2015–19
Two-sided business cards, paper collage on acrylic business card holder, 2 x 8.2 x 0.75 inches
Installation view, Coco Hunday Presents, Atlanta Contemporary, Aug–Dec 2019
Photo by Kasey Medlin
Thomas Kong/Dan Miller, Be Happy, 2015–19
Two-sided business cards, paper collage on acrylic business card holder, 2 x 8.2 x 0.75 inches
Installation view, Coco Hunday Presents, Atlanta Contemporary, Aug–Dec 2019
Photo by Kasey Medlin

Vita criticata, 2019

RULERS, Coco Hunday, Tampa, FL. Curated by Jason Lazarus & Sue Havens

(Instructions: install on the gallerist’s head for the duration of the exhibition)

Vita criticata, 2019
Embroidered patch on cotton twill ball cap
Vita criticata, 2019
Embroidered patch on cotton twill ball cap
Vita criticata, 2019
Embroidered patch on cotton twill ball cap
Installation view, Rulers, Coco Hunday, Jun–Aug 2019 (on the gallerist's bedroom door)
Photo by Pat Blocher
Vita criticata, 2019
Embroidered patch on cotton twill ball cap
Installation view, Rulers, Coco Hunday, Jun–Aug 2019 (on the gallerist's bedroom door)
Photo by Pat Blocher
Dignidad (New Era), 2018
Acrylic on found paper, 8 1/2 x 11″
Dignidad (New Era), 2018
Acrylic on found paper, 8 1/2 x 11″
Autonomía (New Era), 2018
Acrylic on found paper, 8 1/2 x 11″
Autonomía (New Era), 2018
Acrylic on found paper, 8 1/2 x 11″
Cooperación (New Era), 2018
Acrylic on found paper, 8 1/2 x 11″
Cooperación (New Era), 2018
Acrylic on found paper, 8 1/2 x 11″

Untitled series of seven garments (with Aaron Walker), 2018

Presented by Ox-Bow at Chicago Art Book Fair 2018

Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)
Screen printed cotton t-shirt, 2018
Edition of 5 + 2 AP
From an untitled series of seven garments (with Aaron Walker)

Pirate drive-in cinema screening (with Aaron Walker & WXBO/Mac Akin), 2018

Ox-Bow School of Art and Artists’ Residency, Saugatuck, MI

Invitation card, WXBO/Free Box Drive-In Cinema, 2018
Letterpress print on pigmented paper, 6 7/8 x 11″
Invitation card, WXBO/Free Box Drive-In Cinema, 2018
Letterpress print on pigmented paper, 6 7/8 x 11″

Handkerchiefs and Flowers (with Aaron Walker), 2018

Roots & Culture Contemporary Art Center, Chicago, IL

Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Photo by RCH
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Installation view, Roots & Culture, Chicago, IL, April–May 2018
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: David Langkamp
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: David Langkamp
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: David Langkamp
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: David Langkamp
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performers pictured: Philip Fang and Jan Brugger
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performers pictured: Philip Fang and Jan Brugger
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: Max Guy
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: Max Guy
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: Max Guy
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: Max Guy
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: Mary Eleanor Wallace
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performer pictured: Mary Eleanor Wallace
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performers pictured: Jan Brugger and Fran Lightbound
Photo by Meg Noe
Dan Miller and Aaron Walker, Handkerchiefs and Flowers, 2018
Performance view, Roots & Culture, Chicago, IL, April 2018
Audience-performers pictured: Jan Brugger and Fran Lightbound
Photo by Meg Noe

Work with Thomas Kong, 2014–

An experimental collaboration

For more information on Thomas Kong, visit thomaskong.biz

Left: Business card for Kim’s Corner Food, c.late 1980s/early 1990s
Right: Dan Miller/Thomas Kong, Business card for Kim’s Corner Food and Thomas Kong
(back and front), 2015
Left: Business card for Kim’s Corner Food, c.late 1980s/early 1990s
Right: Dan Miller/Thomas Kong, Business card for Kim’s Corner Food and Thomas Kong (back and front), 2015
Dan Miller/Thomas Kong, ‘Be Happy’ stickers (gothic version), 2016
Dan Miller/Thomas Kong, ‘Be Happy’ stickers (gothic version), 2016
Dan Miller/Thomas Kong (with Steven Husby), Logo for Kim’s Corner Food, 2016
Dan Miller/Thomas Kong (with Steven Husby), Logo for Kim’s Corner Food, 2016
Dan Miller/Thomas Kong (with Steven Husby), shopping baskets for Kim’s Corner Food, 2016
Produced by Dan Miller as Earn like a dog, spend like a king, 2016
16 15/16 x 12 1/4 x 9 1/4″ (folded). Edition of 6 + 3 AP
12 out-of-edition copies in use at Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Dan Miller/Thomas Kong (with Steven Husby), shopping baskets for Kim’s Corner Food, 2016
Produced by Dan Miller as Earn like a dog, spend like a king, 2016
16 15/16 x 12 1/4 x 9 1/4″ (folded). Edition of 6 + 3 AP
12 out-of-edition copies in use at Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Thomas Kong and Dan Miller at Kim’s Corner Food, 2016
Photo by Ruby T
Thomas Kong and Dan Miller at Kim’s Corner Food, 2016
Photo by Ruby T
Thomas Kong, Be Happy, 2015–17
Public mural, Rogers Park, Chicago, IL
Painted by Kristin & Nathan Abhalter Smith, Steven Husby, Dan Miller, Cole Pierce, Kit Rosenberg, Ruby T & Alice Tippit. Coordinated by Roman Susan Art Foundation
Thomas Kong, Be Happy, 2015–17
Public mural, Rogers Park, Chicago, IL
Painted by Kristin & Nathan Abhalter Smith, Steven Husby, Dan Miller, Cole Pierce, Kit Rosenberg, Ruby T & Alice Tippit. Coordinated by Roman Susan Art Foundation
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, Mar-May 2016
Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan,
Libbi Ponce, Jessi Ramirez & Emiliano Settecasi
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, Mar-May 2016
Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez & Emiliano Settecasi
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, Mar-May 2016
Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan,
Libbi Ponce, Jessi Ramirez & Emiliano Settecasi
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, Mar-May 2016
Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez & Emiliano Settecasi
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, Mar-May 2016
Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan,
Libbi Ponce, Jessi Ramirez & Emiliano Settecasi
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, Mar-May 2016
Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez & Emiliano Settecasi
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016 Organized by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016
Organized by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016 Organized by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016
Organized by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016 Organized by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016
Organized by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016 Organized by Dan Miller
Left: untitled artist book by Dan Miller, risograph on paper, 12 pages, 8 1/2 x 11″. Edition of 60 (download pdf)
Right: room sheet/checklist, laser print on copy paper, 8 1/2 x 11″ (download pdf)
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, VIC, Australia, Aug 2016
Organized by Dan Miller
Left: untitled artist book by Dan Miller, risograph on paper, 12 pages, 8 1/2 x 11″. Edition of 60 (download pdf)
Right: room sheet/checklist, laser print on copy paper, 8 1/2 x 11″ (download pdf)
Photo by Christo Crocker

The Back Room at Kim’s Corner Food, 2015–19

Experimental project space and artwork repository, Rogers Park, Chicago, IL

With Thomas Kong & Nathan Abhalter Smith

For more information and project archive, visit thomaskong.biz/thebackroom

Kim’s Corner Food, Exterior, 2016
Kim’s Corner Food, Exterior, 2016
Aaron Walker, / e, Aug-Oct 2017
Aaron Walker, / e, Aug-Oct 2017
Selected by Maddie Reyna, Oct 2015-Jan 2016
Selected by Maddie Reyna, Oct 2015-Jan 2016
Instructions for visiting The Back Room, 2015
Instructions for visiting The Back Room, 2015
Selected by Steven Husby, Jan-Apr 2016
Selected by Steven Husby, Jan-Apr 2016
The Back Room at Kim’s Corner Food, Interior, 2017
Repository for collage and assemblage artwork by Thomas Kong
The Back Room at Kim’s Corner Food, Interior, 2017
Repository for collage and assemblage artwork by Thomas Kong
Alice Tippit, Don’t Hate the Sky, Aug-Oct 2016
Exhibition opening
Alice Tippit, Don’t Hate the Sky, Aug-Oct 2016
Exhibition opening
Jenn Smith, Name In Vain, Dec 2016-Feb 2017
Jenn Smith, Name In Vain, Dec 2016-Feb 2017
Ruby T, TENSES, May-Jul 2017
Ruby T, TENSES, May-Jul 2017
Starworld Anna Kim, At Starworld Right Now, Feb-Apr 2017
Starworld Anna Kim, At Starworld Right Now, Feb-Apr 2017
Joshua Kent, flier for REALFAKE: Joshua Kent and Thomas Kong, Jul-Aug 2016
Joshua Kent, flier for REALFAKE: Joshua Kent and Thomas Kong, Jul-Aug 2016
Max Guy, Sotoba Komachi, Oct-Dec 2016
Performance view, Yukio Mishima's Sotoba Komachi, Adapted & Directed by Max Guy, Dec 2016
Max Guy, Sotoba Komachi, Oct-Dec 2016
Performance view, Yukio Mishima's Sotoba Komachi, Adapted & Directed by Max Guy, Dec 2016
Jesse Malmed as Dramaturge-in-Residence, Collage Rock / Ten Tiny Plays / Teared Up: A Film Screening, Jun 2018
Performance view, Madeleine Aguilar
Jesse Malmed as Dramaturge-in-Residence, Collage Rock / Ten Tiny Plays / Teared Up: A Film Screening, Jun 2018
Performance view, Madeleine Aguilar
Robin Hustle, flier for SLIT WAVE SHEATH HEARTH, Dec 2017-Feb 2018
Robin Hustle, flier for SLIT WAVE SHEATH HEARTH, Dec 2017-Feb 2018
Meg Dugid, Production of Nuclear Winter, Oct-Dec 2017
Performance view, exhibition closing, Dec 2017
Meg Dugid, Production of Nuclear Winter, Oct-Dec 2017
Performance view, exhibition closing, Dec 2017
Jesse Malmed as Dramaturge-in-Residence, Some Things Should Go!, Jun 2018
Performance view, Auctioneer Richard Wright and Jesse Malmed
Jesse Malmed as Dramaturge-in-Residence, Some Things Should Go!, Jun 2018
Performance view, Auctioneer Richard Wright and Jesse Malmed
Alejandro T. Acierto as Archivist-in-Residence, Kills time, Jul 2018
Exhibition opening
Alejandro T. Acierto as Archivist-in-Residence, Kills time, Jul 2018
Exhibition opening
Robin Hustle as Ruth-in-Residence, Careful Material Book Release, Mar 2019
Performance view, Gwyneth Zeleny Anderson
Robin Hustle as Ruth-in-Residence, Careful Material Book Release, Mar 2019
Performance view, Gwyneth Zeleny Anderson

2013–2018, 2017

Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed

2013–2018, 2017
Authenticated bricks
Installation view, Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed
2013–2018, 2017
Authenticated bricks
Installation view, Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed
2013–2018, 2017
Authenticated bricks
Installation view, Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed
2013–2018, 2017
Authenticated bricks
Installation view, Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed
2013–2018, 2017 (detail)
Authenticated bricks
Installation view, Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed
2013–2018, 2017 (detail)
Authenticated bricks
Installation view, Outside Jokes, DEMO Project, Springfield, IL. Curated by Jesse Malmed

If you need a name for this piece the paint color is called Peppercorn, 2017

The Luminary, St. Louis, MO

Read interview with The Luminary here

Documentation of work performed (after)
Documentation of work performed (after)
Documentation of work performed (before)
Documentation of work performed (before)

Checking all the can lights bulbs to see if they work, there are a lot of them, 2017

DEMO Project, Springfield, IL

Documentation of work being done
Photo by Brytton Bjorngaard
Documentation of work being done
Photo by Brytton Bjorngaard

Earn like a dog, spend like a king, 2016

Lake Cream, Block Museum, Evanston, IL

Download catalog pdf here

Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016 (detail)
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Leaf by Max Guy
Earn like a dog, spend like a king, 2016 (detail)
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Leaf by Max Guy
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016
Earn like a dog, spend like a king, 2016
Screen printed plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–Jun 2016

Untitled, 2016

PDF-OBJECTS, Mana Contemporary Chicago. Organized by Jason Lazarus & Sean Ward

Download PDF-OBJECT here

Untitled, 2016 (at top left)
Installation view, PDF-OBJECTS, Mana Contemporary Chicago, Jun–Oct 2016
Also shown, at bottom: Max Guy
Photo by Kevin Weil
Untitled, 2016 (at top left)
Installation view, PDF-OBJECTS, Mana Contemporary Chicago, Jun–Oct 2016
Also shown, at bottom: Max Guy
Photo by Kevin Weil
Untitled, 2016
Laser print on copy paper, 8 1/2 x 11″
Untitled, 2016
Laser print on copy paper, 8 1/2 x 11″

Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016

Western Pole, Chicago, IL. Curated by Jesse Malmed

Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016
Laser print on copy paper, 8 1/2 x 11″
Installation view, Western Pole, Chicago, IL. Curated by Jesse Malmed
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016
Laser print on copy paper, 8 1/2 x 11″
Installation view, Western Pole, Chicago, IL. Curated by Jesse Malmed
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016
Laser print on copy paper, 8 1/2 x 11″
Installation view, Western Pole, Chicago, IL. Curated by Jesse Malmed
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016
Laser print on copy paper, 8 1/2 x 11″
Installation view, Western Pole, Chicago, IL. Curated by Jesse Malmed

On Terms On Which We All Agree, 2015

Axis and Allies, Midway Studios, The University of Chicago

On terms on which we all agree, 2015 Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On terms on which we all agree, 2015
Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On terms on which we all agree, 2015 Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On terms on which we all agree, 2015
Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015

About our stack of printed paper, 2015

Terrorists in the Library, Pedestrian Project, Chicago, IL. Curated by Ruslana Lichtzier

 

About our stack of printed paper, 2015
Printed email
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper, 2015
Printed email
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper, 2015
Printed email
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper, 2015
Printed email
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier

Foot-notes (ПРИМЕЧАНИЯ), 2015

A project by 3-ply

The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia

Inside the panorama, 2015. Printed email
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
Download pdf here
Inside the panorama, 2015. Printed email
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
Download pdf here
Inside the panorama, 2015. Printed email
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
Download pdf here
Inside the panorama, 2015. Printed email
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply
Download pdf here
After the Victory, 2015. Audio file, 34' 20
After the Victory, 2015. Audio file, 34' 20" (looped)
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply

Having Cheese Makes You Happy, 2014

West Space, Melbourne, VIC, Australia

Download exhibition catalog here

Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2 (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2 (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Your Office Is Ready, 2014. 600 x 1200 mm suspended ceiling grid, mineral fibre acoustic ceiling tiles, fluorescent light troffers, dimensions variable (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Your Office Is Ready, 2014. 600 x 1200 mm suspended ceiling grid, mineral fibre acoustic ceiling tiles, fluorescent light troffers, dimensions variable (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Your Office Is Ready, 2014. 600 x 1200 mm suspended ceiling grid, mineral fibre acoustic ceiling tiles, fluorescent light troffers, dimensions variable (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Your Office Is Ready, 2014. 600 x 1200 mm suspended ceiling grid, mineral fibre acoustic ceiling tiles, fluorescent light troffers, dimensions variable (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Steve Miller Reads Who Moved My Cheese?, 2013. Voice recording on microcassette, 46′25″, looped. Microcassette recorder on modified office desk, 74 x 25 x 25 cm
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Steve Miller Reads Who Moved My Cheese?, 2013. Voice recording on microcassette, 46′25″, looped. Microcassette recorder on modified office desk, 74 x 25 x 25 cm
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Steve Miller Reads Who Moved My Cheese?, 2013. Voice recording on microcassette, 46′25″, looped. Microcassette recorder on modified office desk, 74 x 25 x 25 cm
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014
Steve Miller Reads Who Moved My Cheese?, 2013. Voice recording on microcassette, 46′25″, looped. Microcassette recorder on modified office desk, 74 x 25 x 25 cm
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, VIC, Australia, Jun-Jul 2014

Plinth Projects, 2013–14

Artist-run public art program, Melbourne, VIC, Australia

Co-founded and co-directed by Dan Miller & Jeremy Pryles (with Sam George, Carla McKee, Ben Ryan & Isabelle Sully)

For more information and project archive, visit plinthprojects.com

Installation view, Plinth Projects, Opening Picnic, Oscar Perry, Harvest Showdown / Early Classics, Hits and Rarities
Photo by Kobie Nel
Installation view, Plinth Projects, Opening Picnic, Oscar Perry, Harvest Showdown / Early Classics, Hits and Rarities
Photo by Kobie Nel
Installation view, Plinth Projects, Opening Picnic, Oscar Perry, Harvest Showdown / Early Classics, Hits and Rarities
Photo by Kobie Nel
Installation view, Plinth Projects, Opening Picnic, Oscar Perry, Harvest Showdown / Early Classics, Hits and Rarities
Photo by Kobie Nel
Installation view, Hossein Ghaemi, Bush Node and the Second Fiddle
Plinth Projects, Mar 2014
Installation view, Hossein Ghaemi, Bush Node and the Second Fiddle
Plinth Projects, Mar 2014
Installation view, Annie Wu at Plinth Projects, Nov 2013
Installation view, Annie Wu at Plinth Projects, Nov 2013
Installation view, Lane Cormick, Bulc Public
Plinth Projects, Dec 2013
Installation view, Lane Cormick, Bulc Public
Plinth Projects, Dec 2013
Installation view, Nick Selenitsch, Folly
Plinth Projects, Apr 2014
Installation view, Nick Selenitsch, Folly
Plinth Projects, Apr 2014
Installation view, Nathan Gray, Queen Size
Plinth Projects, Jan 2014
Installation view, Nathan Gray, Queen Size
Plinth Projects, Jan 2014
Installation view, Spiros Panigirakis, A TENTATIVE SIGN
Plinth Projects, Apr 2013
Installation view, Spiros Panigirakis, A TENTATIVE SIGN
Plinth Projects, Apr 2013
Installation view, Renee Cosgrave at Plinth Projects, Oct 2013
Installation view, Renee Cosgrave at Plinth Projects, Oct 2013
Installation view, Renee Cosgrave at Plinth Projects, Oct 2013 (detail)
Installation view, Renee Cosgrave at Plinth Projects, Oct 2013 (detail)
Performance view, Technopia Tours, Lost in Edinburgh
Plinth Projects, Feb 2014
Performance view, Technopia Tours, Lost in Edinburgh
Plinth Projects, Feb 2014

Number Eight Agnes Street, 2014

One-night-only project space

Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller
Rohan Schwartz, The Golden Lion, 2014
Installation view, Number Eight Agnes Street, Melbourne, VIC, Australia. Organized by Matthew Greaves and Dan Miller

Normal Gallery (with Matthew Greaves & Rohan Schwartz)

Projects, 2012–13

For more information, visit normalgallery.com

Normal Gallery, Australian Statues (奥塑像), 2013
Press Announcement, Un Magazine, Melbourne, VIC, Australia
Normal Gallery, Australian Statues (奥塑像), 2013
Press Announcement, Un Magazine, Melbourne, VIC, Australia
Normal Gallery, Australian Statues (奥塑像), 2013
Documentation, Heiqiao Village, Beijing, China
Normal Gallery, Australian Statues (奥塑像), 2013
Documentation, Heiqiao Village, Beijing, China
Normal Gallery, Australian Statues (奥塑像), 2013
Documentation, Zhangjiajie City, Hunan, China
Normal Gallery, Australian Statues (奥塑像), 2013
Documentation, Zhangjiajie City, Hunan, China
Normal Gallery, Australian Statues (奥塑像), 2013
Documentation, Luowa Village, Lugu Lake, Sichuan, China (video still)
Normal Gallery, Australian Statues (奥塑像), 2013
Documentation, Luowa Village, Lugu Lake, Sichuan, China (video still)
Normal Gallery, The People's Collection, 2012
Concept image (detail)
Normal Gallery, The People's Collection, 2012
Concept image (detail)
Normal Gallery, Peace Badges (평화배지), 2013
Documentation prior to action
Normal Gallery, Peace Badges (평화배지), 2013
Documentation prior to action
Normal Gallery, Peace Badges (평화배지), 2013
Documentation prior to action
Normal Gallery, Peace Badges (평화배지), 2013
Documentation prior to action