Dan Miller ImagesTextsInfo
If you need a name for this piece the paint color is called Peppercorn, 2017. Action conducted in public view
The Luminary, St. Louis, MO, April 2017
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Left: untitled artist book by Dan Miller, risograph on paper, 12 pages, 8.5 x 11 inches. Edition of 60
Right: room sheet/checklist, laser print on copy paper, 8.5 x 11 inches
Photo by Christo Crocker

Download artist book PDF here
Download room sheet PDF here
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Left: Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 370 x 578 mm
Right: Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 369 x 578 mm
Photo by Christo Crocker
Installation view, Thomas Kong, TCB, TCB Art Inc., Melbourne, August 2016. Organised by Dan Miller
Left (facing Chicago): Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 508 x 638 mm
Right (facing Chicago): Thomas Kong, Untitled, 2016. Cut-paper collage on black plastic bag on cardboard, 504 x 580 mm
Photo by Christo Crocker
Installation view, PDF-OBJECTS, Mana Contemporary Chicago, June–October 2016. Organized by Jason Lazarus and Sean Ward
Top left: Dan Miller
Also shown, at bottom: Max Guy

Download PDF-OBJECT here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016

Download catalog PDF here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016
Also shown: work by Max Guy, Erin Hayden, David Sprecher and Lilli Carré

Download catalog PDF here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016
Also shown: work by Max Guy and David Sprecher

Download catalog PDF here
Earn like a dog, spend like a king, 2016. Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016

Download catalog PDF here
Earn like a dog, spend like a king, 2016 (detail). Screenprinted plastic shopping baskets, unpackaged merchandise from Kim’s Corner Food, 1371 W Estes Ave, Chicago, IL
Installation view, Lake Cream, Block Museum, Evanston, IL, May–June 2016
Leaf by Max Guy

Download catalog PDF here
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016. Laser print on copy paper, 8.5 x 11 inches
For Western Pole, Chicago, April 2016. Curated by Jesse Malmed
Traer el pueblo al arte (after la Sociedad Cultural Nuestro Tiempo), 2016. Laser print on copy paper, 8.5 x 11 inches
For Western Pole, Chicago, April 2016. Curated by Jesse Malmed
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, March–May 2016. Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez, and Emiliano Settecasi

View full documentation here
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, March–May 2016. Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez, and Emiliano Settecasi

View full documentation here
Installation view, Thomas Kong, Fillerup, Coco Hunday, Tampa, FL, March–May 2016. Organized by Dan Miller. Curated by Dawn Grayford, Nadia Ivanova, Rhonda Massel Donovan, Libbi Ponce, Jessi Ramirez, and Emiliano Settecasi

View full documentation here
The Back Room at Kim's Corner Food, 2015–
Exhibition space and archive, Rogers Park, Chicago. Coordinated by Dan Miller

More information and ongoing documentation here
The Back Room at Kim's Corner Food, 2015–
Exhibition space and archive, Rogers Park, Chicago. Coordinated by Dan Miller

More information and ongoing documentation here
The Back Room at Kim's Corner Food, 2015–
Exhibition space and archive, Rogers Park, Chicago. Coordinated by Dan Miller

More information and ongoing documentation here
Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper (placeholder for a samizdat), 2015. Printed email

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Installation view, Terrorists in the Library, Pedestrian Project, Chicago, Sep-Nov 2015. Curated by Ruslana Lichtzier
About our stack of printed paper (placeholder for a samizdat), 2015. Printed email

Download PDF here
Performance documentation, Are You The Terrorist?, Pedestrian Project, Chicago, Nov 2015. Curated by Ruslana Lichtzier
An air of mystery about me, 2015. Scripted performance. Two actors, two office chairs, fifty-six 3x5″ index cards
Performed by Dan Miller and Linda Tegg
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply (Fayen d’Evie, Liang Luscombe and Lisa Radford)
Inside the panorama, 2015. Printed email
Also shown: sculptures by Liang Luscombe

Download PDF here
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply (Fayen d’Evie, Liang Luscombe and Lisa Radford)
Inside the panorama, 2015. Printed email

Download PDF here
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply (Fayen d’Evie, Liang Luscombe and Lisa Radford)
After the Victory (2015), 2015. Audio file, 34' 20" (looped)
Also shown: sculpture by Liang Luscombe, painting by Liang Luscombe and Lisa Radford
Installation view, Foot-notes (ПРИМЕЧАНИЯ), The 3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia, Sep-Nov 2015. A project by 3-ply (Fayen d’Evie, Liang Luscombe and Lisa Radford)
After the Victory (2015), 2015. Audio file, 34' 20" (looped)
Also shown: sculpture by Liang Luscombe, painting by Liang Luscombe and Lisa Radford
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On Terms On Which We All Agree, 2015. Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Axis and Allies, Midway Studios, The University of Chicago, May 2015
On Terms On Which We All Agree, 2015. Verbatim vocal re-performance of interview with Paul Keating, John Laws Morning Show, 2UE Radio, Sydney, 1993. 15′53″, looped. Battery-operated radio, digital audio player, FM radio transmitter, electronic components, 13 x 20.5 x 5.5 cm (folded)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Steve Miller Reads Who Moved My Cheese?, 2013. Voice recording on microcassette, 46′25″, looped. Microcassette recorder on modified office desk, 74 x 25 x 25 cm
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Our Bank, 2014. Stamp ink on book page, push pin, modified office pinboard, picture framing glass, 41 x 52 x 2 cm, ed. 1/2 (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Installation view, Having Cheese Makes You Happy, West Space, Melbourne, June-July 2014
Gold Watch (for Steve), 2014. Oil on canvas, 2.6 x 3.0 m (detail)
Your Office Is Ready, 2014. 600 x 1200 mm suspended ceiling grid, mineral fibre acoustic ceiling tiles, fluorescent light troffers, dimensions variable (detail)
Installation view, Perfect Information, Kings ARI, Melbourne, April 2013
Australian Dreaming, 2012 (L) & Australian Souvenir Calendar, 2013 (R)

Dan Miller - Australian Dreaming, 2012

Australian Dreaming, 2012
HD video, silent, 1" (looped)
Installation view, Perfect Information, Kings ARI, Melbourne, April 2013
Australian Souvenir Calendar, 2013
Twelve thirteen-month calendars (April 2013–April 2014), birch plywood, modified display hook, 18 x 29 x 11 inches